The movie poster shows a strong first reference to post-9/11 imagery: a skyscraper on fire. Batman, forced to step in, faces his gravest trial yet: having to question his own status as a hero. The Joker’s criminal acts quickly throw Gotham into chaos and anarchy, “a world without rules” as the movie’s tagline states. This strong alliance must face a new mysterious enemy: a vicious psychopath dressed up as a clown who is known as “The Joker” ( Heath Ledger). Bruce Wayne / Batman ( Christian Bale) cooperates with Lieutenant James Gordon ( Gary Oldman) and District Attorney Harvey Dent ( Aaron Eckhart) to rid Gotham City of crime. One year after the events of Batman Begins (2005). It ranked 15th on Empire‘s 2008 list of the 500 greatest movies of all time and 98th on The Guardian‘s list of the 100 best films of the 21st century. The movie is the highest-grossing movie of 2008 and currently the 47th highest-grossing movie of all time. The Dark Knight is a prime example of this process. It has affected cinema too, giving birth to a different way for contemporary Western society to represent itself within visual narratives. Indeed, this tragedy has had a deep impact on the collective consciousness. The September 11th terrorist attacks mark one of the most significant collective traumas of the 21st century. The Dark Knight – the second installment of Christopher Nolan‘s The Dark Knight Trilogy about the DC Comics character Batman – is not only a superhero tale of good versus evil, but it is a powerful allegory of 9/11 and the war on terror.
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